posts

This month’s album digest features albums by Wilco, M.I.A., Local Natives, and a collaboration between Kaitlyn Aurelia Smith and Suzanne Ciani.

A few weeks ago, Ingrid and I went to see The Threepenny Opera at the National Theatre.

Witness the pressure of a new notebook. You sit at your desk, trying to get it started with an amazing piece of writing. Something worthy of that crisp new page. You want it to tumble out of you, fully formed and coherent. Something that justifies you abandoning the previous one. As though first drafts don’t exist. You cast yourself into the role of shaman, of seer - of someone gifted a prophetic vision. But it’s a role that you cannot and will not fulfil.

A little man wearing a bow tie, and possibly a fez, scurries into the middle of the frame clutching a clapboard. Breathing heavily he hoists the clapboard up to chest height. He holds the clapper up then brings down while slurring "This is a blog post about not having a clue, take 43". He exits to the right of the frame.

As I mentioned in yesterday’s post, I allowed Spotify to pick some new albums for me this month. It chose some noodly ambient techno, a captivating slice of World Jazz, a moody gothic hallucination, and a concept album about humans being rescued by aliens. All in all a pretty good job! Here is the list:

Because I couldn’t find any albums coming out this month that I wanted to review for the album digest, I decided to let Spotify pick the albums to listen to. I listened to my algorithmically chosen Discover Weekly playlist one week and selected albums based on the songs that I liked the most. The album also had to be released in 2016. The selections are ones that got away.

We went to see Prom 47, an afternoon prom at the Royal Albert Hall in London. The bill included a brand new work by Piers Hellawell, along with a Cello concerto by Haydn and a symphony by Tchaikovsky. These were all performed by the Ulster Orchestra. The conductor was Rafael Payare. The tickets were an affordable £17 each which isn’t bad at all given that we were sat in the second row of the circle. We had a great view.

Album Digest July 2016 consists of a bumper five albums, mainly because I couldn’t work out which one to drop. I think they’re all pretty good though it’s great to hear new music from The Avalanches after all this time.

Acts of the Assassins is an interesting novel by Richard Beard that retells the story of the apostles and their deaths. It uses a modern crime genre style and a contemporary setting. The author himself refers to it as “Gospel Noir”. Cassius Gallio, a Roman CSI-type referred to as a speculator, investigates the murders of the apostles following the crucifixion and resurrection of Jesus. Gallio, charged with guarding the body following Jesus’ death and greatly undermined by the disappearance of the body, views the resurrection as the greatest conspiracy of the age.

I give the impression of planning these posts but to be honest I came across an article about Maxwell a few weeks ago and fondly remembered my cassette copy of this album. The joy of Spotify is that it’s easy to dig up old favourites. The recent warm weather makes for a good opportunity to enjoy the sultry embrace of “Embrya” once more.

I last wrote about a JG Ballard novel nearly three years ago. That one - “High-Rise” - has since been made into a film. The subject of this post is “The Unlimited Dream Company”, my favourite among his novels: a silly romp through suburban sexual repression that glitters with sinister wit. Even after many read-throughs I still can’t work out whether it is a crazy masterpiece or something light that we’re meant to throw away after reading.