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		<title>Houdini on mattischrome</title>
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				<title>Magic</title>
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				<pubDate>Tue, 27 Oct 2026 16:18:40 +0000</pubDate>
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				<description>&lt;p&gt;&amp;ldquo;You almost had me&amp;rdquo; - this is the line that everyone utters at some point in their experiences of seeing magic tricks performed live. At the Festival Theatre in Chichester back in May, this &amp;ldquo;Magic&amp;rdquo; moment happens to me during a seance. It was the one moment in the play where I thought &amp;ldquo;uh-oh something is going on here&amp;hellip;.&amp;rdquo;&lt;/p&gt;&#xA;&lt;p&gt;&amp;ldquo;Magic&amp;rdquo; extends the real-life friendship between Arthur Conan Doyle, Portsmouth FC&amp;rsquo;s most famous ever goalkeeper (sort of)&lt;label for=&#34;mn-magic-0&#34; class=&#34;margin-toggle&#34; aria-hidden=&#34;true&#34;&gt;&amp;#8853;&lt;/label&gt;&#xA;&lt;input type=&#34;checkbox&#34; id=&#34;mn-magic-0&#34; class=&#34;margin-toggle&#34;&gt;&#xA;&lt;span class=&#34;marginnote&#34;&gt;Conan Doyle played for an amateur club in Portsmouth that was the precursor of the later professional club. Or, if you prefer, David James was &lt;em&gt;actually&lt;/em&gt; Portsmouth FC&amp;rsquo;s most famous goalkeeper.&lt;/span&gt;&#xA; and creator of the Sherlock Holmes stories, and Harry Houdini the famed stage illusionist. It&amp;rsquo;s a frustrating play because it cannot decide whether it wants to be a barnstorming confection that wows its audience with magic or if it wants to debunk it all. It tries to do both in service of a narrative that sets up its two main characters as antagonists, but does neither fully because it is unable to satisfactorily resolve that conflict.&lt;/p&gt;</description>
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